Hari Prasad Chaurasia

   
Artist: Hari Prasad Chaurasia

   Genre(s): 
Reggae
   Electronic
   Indie
   

---

Discography:


   
 Raga Cycle

   Year: 2005   
Tracks: 5


   
 Flute Deity

   Year: 2005   
Tracks: 4


   
 Shikhar

   Year: 2004   
Tracks: 4


   
 Healing Music For Ayurveda

   Year: 2003   
Tracks: 2


   
 SanGeet Sartaj Vol II

   Year: 1990   
Tracks: 3


   
 SanGeet Sartaj Vol I

   Year: 1990   
Tracks: 3


   
 Sangeet Sartaj Vol 2

   Year: 1990   
Tracks: 3


   
 Sangeet Sartaj Vol 1

   Year: 1990   
Tracks: 3

---

With his virtuousic blowing technique, Hariprasad Chaurasia has turned the Bansuri (bamboo) fluting into an instrument of mantrap. Blending the musical traditions of India with imaginativeness and instauration, Chaurasia has reached beyond classical music to create a profound of his possess. Presented with the interior award of the Sangeet Natak Academy in 1984, Chaurasia received the Gaurav Puraskar from the body politic government of Maharashtra, India in 1990, the Padma Bhushan and the Konarak Samman in 1992 and the Yash Bharati Sanman in 1994. In addition to recording as a soloist, Chaurasia has collaborated with such wind musicians as John McLaughlin and Jan Garbarek. His compositions experience been heard in several Indian films including Silsila, which he co-wrote with Pandit Shiv Kumar Sharma.


Although he began his musical studies as a vocalizer, Chaurasia switched to the champagne flute after listening a operation by Pandit Bholanath a year subsequently. Inspired by what he heard, Chaurasia fagged the following vIII long time perusing with Bholanath. He later studied with surbahar role player Shrinimati Annapurna Devi, the girl of Ustad Allaudin Khan and the siter of Ali Akbar Khan. In 1957, Chaurasia began playing and composing material for All India Radio in Calcutta. Ten years subsequently, he collaborated with Shivkumar Sharma and Brijbhushan Kabra on a much-celebrated raga suite, "Visit Of The Valley."

Westernhagen

   
Artist: Westernhagen

   Genre(s): 
Other
   

---

Discography:


   
 Nahaufnahme

   Year:    
Tracks: 14

---

Marius Westernhagen was innate on December 6, 1948. His fatherhood, Hans Müller Westernhagen, was an worker, and guided pres Young Marius toward a life in theatrical performance. When his fatherhood died at the age of 44, Marius was still in his early teens and well on his way of life to a successful film vocation. His number 1 preference of public recognition came with the 1979 moving picture Theo Gegen den Rest der Welt. His part as a disgruntled truck driver brought him to the public's attention, which he used as a catalyst to ramp up upon what had previously been only modest musical pursuits -- he had played beat guitar and mouth harp and sung dynasty in groups around his native Düsseldorf, only his recordings and alive performances only high-minded him to the spirit level of a minor cultus figure. Massachusetts Institute of Technology Pfefferminz Bin Ich Dein Prinz, Westernhagen's debut, built upon his silver screen success, and went gold later trey years on the grocery store. Two more records followed: Sekt Oder Selters (1980) and Stinker (1981). Throughout the '80s, Westernhagen's popularity continued to work up steam end-to-end the European rock scene. His rapid-fire releases, nearly one a year for the adjacent various years, unbroken fans interested and opened doors for regular touring. The manufacture is not wide-cut of "slow and steady" success stories, just on that point are exceptions. Westernhagen, better than deuce decades after his transcription debut, hit Billboard's European Top century in 2005 with Nahaufnahme.